Cernunnos with rod (blue) and cord (red) From the Gundestrup cauldron |
The rod and cord used for measuring and marking out patterns on the ground, for division of time, and for laying out megalithic observatories are depicted on images of ancient kings and queens. These artifacts are symbols of power and influence, as both are a result of knowledge and tools which improve the lives of everyone else. (prediction of natural cycles recorded in calendars allowed preparation for seasons and thus increased survival)
“Stretching the cord” is a phrase describing humankind’s invention of geometry and mathematics used to this day. No historian or archaeologist we know of has seen this (examples shown below). Likely mathematicians ignored pictures of the rod and cord, while archaeologists and historians could not appreciate what they saw. Experts see what they want to, not what is there.
Stretch the cord? Yes, stretch it out, as it is kept rolled up. Straightened out it becomes a string compass to make a circle using one peg in the center, or an ellipse using two pegs, or zigzagged between multiple pegs to make more intricate constructs. The secret is not stretching it too much and lengthening it, or leaving it limp and too short. The cord is marked off with knots to check lengths, intervals measured by the rod, like inches on a ruler.
The most significant constructions, which likely originated as prehistoric textile workers cat’s cradles, are the circle, ellipse, and 3,4,5 triangle, as well as trisection and quintisection of angles, and even seven pointed stars.
The use of the cord by the Vanir (ca. 5000 BC) for the development of geometry reveals the origin of Solomon’s Key, the gavel, mathematical foundation of keystone symbolism, Masonic ceremony, and ethical simile to geometric-mathematical truth. Our ancestors recorded their knowledge with symbols, passing their images, accompanied by oral tradition, into our contemporary world. The Brotherhood of Freemasons and their sisters in the Order of the Eastern Star have inherited the responsibility of preserving and sharing the knowledge of the Vanir through symbol and ritual designed by those exquisitely attentive to pattern, tradition, and detail as found in symbolism and oral mythology.
(ref: Dr. Robert Duncan-Enzmann)
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